Wednesday, November 11, 2015

Wks. 39 - 45, The Back Log Books

it's almost embarrassing to be this far behind in my posts. but better late than a total no show. so here they are--the back log books--in one post.

for Wk. 39, i made a lovely little embellished leather bound photo book for my dear sista friend-pastor-Conscious Life Design Systems (CLDS) partner, Bernette Jones, and forgot to take a pic of the book. i included photos from our very first CLDS retreat back in April of 2000 with the instruction that she gets to fill the book with pics from retreats we are now rolling out across the country.

the same thing happened for Wk. 40. i gifted the amazing poet Naomi Shihab Nye with a new accordion-fold BARD and didn't think about taking a pic of the book until someone reminded me that i had missed a good photo opp. but i didn't give her the book for that purpose (something about that photo opp thing feels kinda icky to me). i just wanted to give her something in return for all she has given me through the power and presence of her words.

Wk. 41--a new BARD. by the way, people are buying these babies as quickly as i can make them. who knew???




Wk. 42--my friend and super therapist-life coach-Landmark Education leader Joshua Lee invited me a few weeks ago to co-facilitate a workshop for homeless women. i guided the women through the process of creating a book of their collective dreams based on the book The Dream Giver by Bruce Wilkinson. each week the women created individual pieces of their stories, or chapters, which i pulled together in an 11" x 17" collage. the signature folds down to @ 2 3/4" x 3"--to a pocket book.

i had to print the collage on 2 pages, front & back, and then fold it down. the women loved it.


Wk. 43. is an odd 5 1/2" x 3" book. it began with a green and gold floral piece of cloth that begged to be a cover and an accordion fold made from a scrap piece of poster board that's longer than i prefer for this type of book.  after fiddling with the thing for several weeks, i got the idea to create stair step window pop outs offset by a big circle and single pop out window. the weird thing about this book is it resists writing, meaning, i feels like it's supposed to be blank, at least for now. perhaps it might like invisible ink.



Wk. 44 is another 4" x 3" book made from an 8 1/2" x 11" piece of paper with a split fold. it's actually a small music catalog book of song titles recommended by students who had to write a compare/contrast paper on socially conscious music of the 60s and the first decade of the 21st century.  that was fun.


Wk. 45 is a joint journal i've initiated to be shared with @ 14 other people. each month a different person in this circle gets the journal to populate the pages with poetry, pics, etc. we'll see what we have after 14 months and if we will continue this process. however, i don't feel it's proper for me to share/show the journal here in this blog without participants' consent. so, you'll have to take my word again.

Sunday, September 20, 2015

Wk. 38, Book 38: Virtual Photo of the Baltimore Beloved Community Awakening Walk


this week's virtual photo book is the culmination of 4 months of planning a peace walk born from a collective vision for a transformed Baltimore. the pictures say so much that i don't need to add much more. to see the story as it unfolded, visit:
https://www.facebook.com/bbca9.19?fref=ts

Wk. 37, Book 37: It's Really a Card But . . .

i'm taking considerable creative license this week and calling this submission a book of sorts, although it is clearly a mobile birthday card made of 4 separate sheets of paper folded the same as the star book and bound with a piece of ribbon. so that it can hang from the ceiling or dining room chandelier where it currently resides in our home. although this offering is in keeping with the star book design of the past two weeks, the theme is obviously quite different.

i made this card for my husband, Ricardo, who typically appreciates all my handcrafted cards, but he especially enjoyed this card because, he says, it has that  element of movement. here's how it looks when folded.

Wk. 36, Book 36: Star Book #2

this week's book follows last week's design and focus on the Baltimore Beloved Community Awakening Walk.



this is the cover. to read the inside story, go to:



Monday, August 31, 2015

Wk. 35, Book 35: Star Book

the activity of Spirit, they unfathomable intelligence called by many names that permeates and moves within everything in this universe, constantly amazes me. i was walking down the street the other day when a bthesite.com tabloid caught my eye from within one of those paper-holding boxes we often see on street corners. i started to pass it by, but something (?) said GET IT, so I do, and with a quick glance at the front page i realized this final issue might help engage more young leaders in the upcoming Baltimore Beloved Community Awakening Walk. 

a few days later, while scanning the featured article on Baltimore's 20-something "Game Changers," my fingers started feeling possibilities for transforming this 11" x 11" square tabloid into another shape. so far this year, i've explored squares, rectangles, circles in 45 books, box books, photo books, and other ideas. but this thing in my hand begged to be different. i can't remember how i got to the final fold--it was as if my fingers were remembering something i'd seen or created from childhood. how 2 diagonal folds make 4 triangles with creases that look like wings. and how you make the paper open and close like a flower or star when you hold it in your palm, nose down, with a finger nestled in the crease of each triangle. remember how we did that as kids?


the final touches emerged from an impulse to connect the outer skin with the inner story and that story to last week's book, which is the anchor for the Baltimore Beloved Community Awakening Walk discussion groups. the text written on each triangle states: How do we transform a city? We all talk to each other. We recognize we are in the dynamic process of a city being reborn anew and that there's nothing wrong with where we are. It's necessary for change and change is often not pretty. We stand for those things that serve the greater good. We do/be what we are called to do/be. It's all hands on deck: show up, be fully present, really care, and do what is appropriate! and then you open the star to the front page of the tabloid and the message there continues to answer that central question, how do we transform a city?

which brings me back to my initial point regarding the activity of Spirit. i didn't intend this book, not one single step of it's development. i just made myself available as a conduit of creative energy. and so it is.


Monday, August 24, 2015

Wk. 34, Book 34: Creative Resistance: Walking the Path to Conscious Liberation



for this week's offering, i have created a booklet to house a powerful essay written by my dear sista-friend and global peace walker, Audri Scott Williams. this essay is the anchor and point of reference for the BALTIMORE BELOVED COMMUNITY AWAKENING WALK, which Audri, her mate Karen Watson, and my pastor Bernette L. Jones are coordinating to unify people who stand for Dr. King's vision of "the beloved community." for more about the walk, visit https://www.facebook.com/bbca9.19?fref=ts

here's the text:

Creative Resistance: Walking the Path to Conscious Liberation

By Global Peace Walker, Audri Scott Williams

               As the Trail of Dreams World Peace Walk was reaching its final stages, I began this exploration, this deep journey into the “why” of this time and place where I found myself actually walking across the world for peace with fellow walkers including my mother.  After three years of walking, we were in the last five months of our world peace walk.
              I awakened that particular morning to the sounds of vendors passing through the alley chanting their presence and their products; and children laughing - little ones crying - as they headed to school. The aroma from the corner bakery had been taunting me since 4:00 a.m. (I was 8 days into a 21 day fast). The sun showering the room with light was announcing the beginning of a new day and I was filled with awe. The walk often had that effect on me – waking up to the different countries, cultures, environments, colors and languages, as well as causes and struggles.
             A wave of gentle, peaceful and tearful acknowledgement of all the places and people we had met along this journey and those Trail Angels who continued to love and support us came to me. The Grace that had been granted to us as we traveled by faith from our very first (take a deep breath) step in Atlanta, GA, to our current location in Marrakesh, Morocco filled me with wonder.
            Sitting here today (six years after the completion of the walk in 2009) contemplating my “current place,” like Langston Hughes, I too, “Wonder as I Wander.” I also deeply consider the significance of this world walk…as a woman, of African and Native American ancestry, born just in time to be profoundly impacted by the Civil Rights movement –  the walks, marches and spirit of the people standing together for change – not the possibility of change but change “itself.” I was inspired by the role of my family inthe marches and sit ins in Fayetteville, NC, long before it was “popular” to be identified with the movement.

Early Inspiration
       I was a young child when the world (not just America) was ALIVE with causes and struggles for justice and equality, when walking and marching were the foundation for creative resistance. My elders and peers were wrapped up in a mighty cause to put an end to oppression and segregation - ridding America once and for all of the laws upholding the practice of “separate but equal”. I was inspired by the sit-ins, marches and amazing acts of courage to withstand oppression by Black folk from coast to coast. This demonstration of creative resistance influenced many. 

     Women were burning their bras and demanding equality. The American Indian Movement was birthed and put new energy into standing up and demanding self-determination among Native Americans and international recognition of their treaty rights. Kwame Nkrumah was leading African countries into independence as Ghana’s first elected Prime Minister  (1951), over thirty other African countries would soon follow. Nelson Mandela was imprisoned (1962). The Caribbean, Asia and India were all standing up to colonial governments and demanding their independence.
          Poetry and music rang out with We Shall Over Come, Give Peace A Chance, What’s Going On, Say it Loud—I’m Black and I’m Proud, Inner City Blues, All We are Saying… amid shouts of I Have A Dream, Black Power, Red Power, Participatory Democracy, Women’s Power, Chicano Power … This period (1950’s - 1970’s) was spontaneous, emotional, passionate, ALIVE! Change was in the air.
           As a child whose parents met the call for action head on, perhaps my destiny, unbeknownst to me, was already being shaped, molded and set for the day when “a dream” would send me on a walk for peace around the world, a walk to engage, assess, and be reborn into the truth that comes from a journey to places and people often confined to pages in a book. I became the dreamer who stands in the midst of the dream, intoxicated by its possibilities, and seizes the moment to set a course for years to come. Harriet Tubman, a conductor of the Underground Railroad, walked the trails from north to south, connecting with those who would journey to freedom under her leadership, dreamed the dream that reached through time and pulled Dr. Martin Luther King, Jr. forward. He, among many others, affected great change by marching and organizing throughout the south; and he had the Dream that pulled me forward to stand on this world stage and declare that we can change the world one step at a time. Dr. King made it emphatically clear that, “injustice anywhere is injustice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one, directly affects all indirectly”.

Giving Witness
             I give witness to this as I walk. This legacy of walking for change is as ancient as the human presence on the earth. I recognize in my entire being that with each step I am connected to something ancient and powerful. Walking the planet puts me at ground zero where I see people and places and experience life with them. I am not the observer but rather a participant in humanity’s never ending struggle to be loved, safe, free. Simple truths we called them as we walked in and out of countries and communities. From this experience I can say only through determination, hard work and embracing the gift of diversity of humanity can we begin to end, once and for all, colonialism, systemic racism, sexism, oppression, violence, starvation, imprisonment, poverty, warehousing of human beings, war…”     
            Harriet Tubman once said, “Every great dream begins with a dreamer. Always remember, you have the strength, the patience, and the passion to reach for the stars to change the world.” Her words echo in my head often. In fact, on the walk I carried a walking stick that was given to me on my first walk in 2000, the Trail of Dreams Ancestral Journey.  On it my dear friend, Jason carved out the face of Harriet Tubman, intentional or not, I do not know. When I pulled that walking stick, now known around the world as Mama Harriet, out of the postal wrapping, my hands began to tremble. There was a transference of energy beyond my understanding. In that moment, I knew my life was changed-- forever. Had I known the fullness of what was to come maybe I would have run the other way — fast! Why? Because, the dream once embraced demands one’s soul. And calls out for us, as W.E.B. Du Bois said, “…to be ready at any moment to give up what you are, for what you might become. ...” 

            It is Grace that has the pieces of a dream given out bit by bit, in digestible doses, which at first appear to be random disconnected acts. It is only in hindsight that the callings become puzzle pieces that fit together to reveal a greater truth. This is when I learned a valuable lesson as a peace walker. To start a walk is easy -- to carry that walk to its end is the real work. It is the dreamer’s torment. It is the dreamer’s victory – the ultimate test of endurance for a cause.

 Following a Dreamer’s Path

            Following a dreamer’s path bears a hefty toll. Harriet Tubman had a way of saying, “Lord, I'm going to hold steady on to You and You've got to see me through.” I have found on this journey that there are times when all I have to hold on to is the dream, because I cannot see the way, nothing is indicating to me what I should do, nor how. I have come to know that at the core of a dreamer’s path is FAITH -- faith in the dreamers vision, passion, cause -- and it has to be strong enough to lead you through the FEAR, all of the “false evidence appearing real” that will engulf the dreamer at any moment and often by those persons and situations  least expected. “Faith is the first factor in a life devoted to service. Without it, nothing is possible. With it, nothing is impossible.”  Mary McLeod Bethune.
            As a dreamer walking a dreamer’s path, I want to say:  “Be mindful of where you place your feet -- with each step you are lighting a path for others to follow.” In an article, “Following a Dreamer’s Path”, I wrote, “No apologies, no what ifs, -- embrace the good in your choices and learn from the challenges. Victory is in a life well lived. Defeat is the enduring death that comes from the living that died too soon to their dreams and passions. And when misunderstood, condemned, laughed at, belittled, remember the words of Frederick Douglass, “I prefer to be true to myself, even at the hazard of incurring the ridicule of others, rather than to be false, and to incur my own abhorrence.” 

            On that early morning in Marrakesh, with vendors calling out through the alley, the tantalizing aroma of fresh baked bread, and children’s voices, I held fast to the dream of the Trail of Dreams World Peace Walk. Born in 1955, I am the “living” Dream of all my ancestors, which means I am also the means to the fulfillment of their dreams. So I, Wondered as I Wandered, this great planet, swaying to sounds of music (hand drums and clap sticks, a symphony, the blues, bee-bop, hip hop and salsa); vibrating to the rhythms of sacred drums, chants, and prayers. I walked silently in a mindfulness meditative space. Rightfoot down, breath in. Left foot down, breath out. How many dreams brought me here?

Making Change
            Here I am now in 2015, six years after the three and a half year walk around the world, face to face with landmark events that are forcing us all to look at racism, poverty and injustice in America and the world.
The Occupy Movements; the June 27, 2013, U. S. Supreme Court decision striking down a key portion of the landmark Voting Rights Act of 1965; and July 13,  2013, the not guilty verdict of  George Zimmerman in the murder of Trayvon Martin; and a stream of victims of violence at the hands of police officers – Michael Brown in Ferguson, Missouri; Eric Garner in New York; Walter Scott in South Carolina; Freddie Gray in Baltimore, Maryland; and on and on; to include the deadly silence of humanity as nearly 5 million people are enslaved in a 32 billion dollar a year, human/sex trafficking industry today; and the sheer numbers of people of color caught up in mass incarceration rivals any other country in the world.
            In the midst of these events, was the historic 50th Anniversary of Bloody Sunday March (the Selma to Montgomery March) where nearly 40,000 people walked across the Edmund Pettis Bridge, demonstrating their “knowing” that this is a time for change and conscious evolution of our society. The feeling of walking together with 40,000 walkers lifted me above the struggles -long enough - to see the end result of all we work and walk for – the evolution of our consciousness to usher in a world transformed by love and guided by truth to truly be the “beloved community.”
             I know in my heart that each generation has its calling. I often ask myself, “What is the power shaping our society today? Is it ingrained structures that sustain, racism, sexism, greed and power? If it is, whose responsibility is it to shift the power structures to make this country as it should be – indivisible, with liberty and justice for all?” I hear the echoes of my ancestors who changed the world by coming together to walk for freedom. They are whispering the answer, “All of you - together. You are the POWER!” As Amelia Boynton Robinson, 103 years wise (one of the original organizers of the Selma to Montgomery March), still standing up for justice, says to me often, “Get off our shoulders and walk your walk, march your march.”
 If our experiences are to help us transcend this current state, then we must be willing to engage in dialogue and nonviolent direct action to affect a systemic shift that replaces racism with truth, justice and equality -- once and for all. We can empower each other by walking for peace, walking for change, walking for a greater love - together. Walking as creative resistance has power rooted in dignity; in truth; rooted in the best of who we are and who we can become. Walking exudes power because to walk for change, one must be the change. Walking tramples fear because together we are fearless. Walking opens our eyes and the eyes of the world because we are our communities and walking draws out the good and the bad for the world to see. Once seen, our humanity rises up and change happens. Drawing on the legacy of all of those who have “walked” before us, let us do our part to advance the evolution of our society and humanity -- If not us - who? If not now – when?
            This morning sitting at my desk in southern Alabama, I feel the presence of the leaders and participants of so many walks and marches from the past. I feel them in me -- all the precious souls who walked, marched, bled and died, and those who lived to tell their stories. They strove to shift the consciousness of humanity toward the higher ground of justice and equality; of Agape Love; of enduring change to realize the beloved community here and now.
            I hear their whispers (The Great Peace Maker, Ida B. Wells, Sojourner Truth, Mahatma Gandhi, Nelson Mandela, Martin Luther King, Jr., Malcolm X, Fannie Lou Hamer, Harriet Tubman, Peace Pilgrim, Jigme Norbu…), “When everything seems hopeless, and anger and despair begin to set in, take to the streets. Find someone who cares and walk together, speak your truth and ground it all in love and a great senses of purpose. You must know the outcome you wish to achieve. Walk with dignity and discipline. With each step, more will join, the answers will come, and a way will be made.”
          As I bring this writing to a close, I confirm in me the clarion call of my life, echoed in the words of Nelson Mandela, in a speech he delivered at the opening of the South African parliament in Cape Town on May 25, 1994, "Our single most important challenge is therefore to help establish a social order in which the freedom of the individual will truly mean the freedom of the individual. We must construct that people-centered society of freedom in such a manner that it guarantees the political liberties and the human rights of all our citizens."

The Walk Continues….
Audri Scott Williams is a spiritual leader and peace builder, convener of the Trail of Dreams World Peace Walk. She is a Global Council trustee with URI, a worldwide interfaith organization dedicated to building bridges of peace, justice and healing among people of diverse religions, special expressions and Indigenous traditions.  As co-convener of the Global Indigenous Imitative, a program of URI, Audri created a sacred space for an historic gathering of Indigenous wisdom keepers from diverse Indigenous communities from all over the world.

Monday, August 17, 2015

Wk. 33, Book 33, Photo Album #3



this week's photo album was born out of the necessity to capture precious moments for my granddaughter, Lotus, as they are happening in the moment of her life. she and my son, Imani, had a play date over the weekend, during which time they made silly pics together that, i reckoned, needed a home. my intention is to inspire in Lotus a desire to preserve her memories of family and friends.

this 7 1/4" x 4 1/2" book is actually a redesign of an underused 'grandma's photo book.' i gave it new life with new covers made of swatches of wall paper, kinte cloth and velvet that Lotus picked out and a strip of shinny deco paper on the seam, which makes the cover composition pop. 

i love the way my art constantly gets integrated into the fabric of my relationships and daily affairs.


Wk. 32, Book 32: The 45s Book, Vol. 2

this week's offering is my second attempt at creating a book out of vinyl 45 records. i this this gold cover works. still, it's hard to work with vinyl and to create a binding seam that holds the records together with smooth, round edges.


like the first 45 Book (Wk. 28), the binding seam that holds the records together is made of Scotch tape reinforced with surgical tape, which allows for a smoother seam. however, the Scotch tape still doesn't give me the elasticity needed to fully open and flip through each page in the book. 



i overlaid the back record with paper and a piece of a soft, vinyl-like bag, to distinguish the front and back covers. overall, i like most of the revisions in Vol. 2, but still have a way to go before i can call this book absolutely done. the next big step is figuring out how to include a sound chip.













Wednesday, August 12, 2015

Wk. 31, Book 31: The Cellophane Series, Part I



this week's book is another old idea updated to a new piece of life. the signatures are cellophane sheets bound by clear tape and trimmed with ribbon on the side. each page tells a part of a short story that is written in prose poetry. the end or beginning lines of each page overlap with the next page to simulate the way ideas sometimes overlap each other in the thinking process.



i was quite surprised at the weird reflection captured on the cellophane. it's not a part of the design--the actual pages are transparent--but this image certainly enhances the composition.  the hardest part of creating this book was laying out the text on each individual page so that the overlapping words would fall into the spaces between lines. you can see it better in the next pic with a white sheet of paper under the last page.




that white paper really makes the reflected image stand out. overall, it's an okay design that i'd like to further explore down the road, before this year's challenge ends.


Wk. 30, Book 30: Notable Quotables

while listening to a CD on ways to eradicate the practice of complaining from your relationships, i noticed that the speaker frequently quoted other people, as is the way of many public speakers, scholars, clergy, and conversationalists. it makes sense; quoting reputable sources is an important way to establish credibility and ethos. that got me thinking about my favorite quotes, and so another book was born.



this week's little 2" x 2 1/4" book, titled Notable Quotables, is made of watercolor paper folded into an 8-panel, split seam accordion with cloth covers. it's basic, easy to handle, and easy to store in a purse, pocket or next to the computer. it will eliminate web searches and calls to friends and leafing through pages of books whenever i want / need one of my favorite quotes and a quick shot of inspiration / wisdom / joy. why didn't i think of this before?


here's a view of the unfolded accordion. it houses quotes that are etched on the walls of my brain, e.g., "Vulcans don't bluff." (Mr. Spoke), as well as words by wise people who i never, ever want to misquote, like the passages provided below. may you, too, be inspired to create a repository of words that touch your soul and expand your consciousness.


"We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly.” ― Martin Luther King Jr.Letter from the Birmingham Jail


Deliver us to our passion. Deliver us to our brilliance. Deliver us to our intelligence. Deliver us to our depth. Deliver us to our nobility. Deliver us to our beauty. Deliver us to our power to heal. Deliver us to You. ― Marianne Williamson, Illuminata



Monday, July 20, 2015

Wk. 29, Book 29: Funky Little Photo Album, Vol. 2

for week 27 i transformed a canvas index card carrier into a little photo book to house pics that don't fit into my other photo albums or deserve their own photo book. like my mom's pics of the trip she took with friends to London in the late '60s. you can tell those girls had a BALL. i decided these gems will probably mean a lot to her travel buddy and best friend, Alaina. 
i started this book with a piece of poster board first folded in half, lengthwise, then folded in an accordion with 6 panels, and then cut along the long seam up to the last panel. my grad school teacher Kendra Kopelke taught me this fold. i covered the poster board with deco paper trimmed in velvet ribbon. the trim is thicker than the paper, so the pics don't lie totally flat on each panel, but it's still a nice effect. i especially love the pop-out 4th and 5th panels of this fold, which you can see in the pic below.

altogether, there are 16 panels in this book. the finished, folded size is 4" x 4", just right for old school pics. i want to create another photo album like this one but with a thinner trim around the edges. that velvet ribbon is nice but hard to work with.

because i love the look and feel and spirit of the 60s, i added a couple of odd-out pics that capture the middle class black party scene of those times. Alaina will appreciate that along with what is probably the last pic she took with mom at her retirement party. she'll cry when she sees that one.

Saturday, July 18, 2015

Wk. 28, Book 28: The 45s Book



anyone out there still have vinyl from back in the day? i really must figure out what to do with all these crates of albums i've been lugging around since the early '70s, when i first moved from home to the dorms at good old St. Mary's College of Maryland. the crates have multiplied over the years. 

now, every time we have to do anything in the home that requires moving those crates and other furniture/stuff (to paint, spring clean, etc.) my husband gives me that silent what-the-f*** look. i keep telling him that as soon as we manifest my dream studio-office, i'm going to make floor-to-ceiling wall collages of all the album covers AND buy CDs to replace the albums AND a new turntable to play those albums that can't be replaced by CDs.


PAUSE--I just realized while typing that last sentence why he keeps giving me that look.


anyway, while pillaging through one of my art bags last week for ideas for a new book, i came across a colony of 45s. you see what happened. 

the first challenge was to create a strong binding seam to hold each record in place. although i used regular tape this time, i think i'll go with duck tape for future editions. covering the tape with paper was equally challenging, since the paper needs to have some elasticity to it, to stretch when the book opens. 
when it opens, each record is a page in the book--or rather a chapter in the book. the music can serve as virtual pages. wouldn't it be nice to listen to the music from each record in this book? similar to those greeting cards with sound chips?  

what an enticing challenge--to make another 45s book with sound chips! and pretty round covers, before/after the first/last records. i can hear my inner art critic already: "Good luck with that one, hon."

meantime, i'm off to complete a new book for week 29.

Wk. 27, Book 27: Funky Little Photo Album

there are three things i love about this challenge to make a new book for each week of 2015:

  • sharing my work with the world
  • receiving feedback on the books
  • combing my home and boxes of stuff for ideas

i've had this little canvas index card carrier for a while now but never used it; it just didn't work for me. still, i kept it because it's so unique and well made. i pulled it out again the other day, for the umpteenth time, to see what else it could be or do, and realized that by simply turning the thing on its side (with the silver clasp hook and elastic band on the right) it could be a book! 
with a little cloth paper and framed picture embellishments on the outside covers and inside flap, it now has new life. reframe an object and transform its purpose.
as for the signatures, instead of putting index cards in those slots, i decided to use this book to keep old photos that don't fit into any of my other photo albums. 

for almost 5 years i have labored to organize hundreds of pictures inherited from my mother along with my own boxes of pictures and photo albums. with the help of my aunt, Lorain, i have now found categories for all those pics and am creating new photo and story albums. 

i've also release my attachment to many family pics--give it up, hon--and have started making special gift photo albums for folks who will appreciate original pics. this week's book supports that intention.

Monday, June 29, 2015

Wk. 26, Book 26: The BARD Series Cont.

here's the final installment for this month's BARD series. i really must create a YouTube channel for showing these 3D, fold out books. give me a month to work on that. meantime ---






Monday, June 22, 2015

Wk. 25, Book 25: the Post-Massacre Black Blues Book

this series has been interrupted by an unnatural act of inhuman nature. that massacre last week in South Carolina is taking me places i don't want to go, but must visit if i am to be of service to humanity at this time and to stand as cause for the restoration of peace and SANITY on Earth.

i can't stop crying 'cause i got dem ol' black blues.

i didn't feel like writing about the book i made earlier last week to post for Week 25. instead, today i made a new book, a simple 4-page accordion fold with identical black leather covers trimmed in black and white paper.


the text on this page states: We came, though not freely; we suffered; we slaved; we endured; we sacrificed, that is, made sacred our bodies; we repeat history. Mr. Obama, please end white terrorism in the U.S. against Black people once and for all, if you will, if you can.

i can forgive the murderer as i can forgive any sick being; forgiving the cause for the murders--racism--is another thing. i'm just not there yet any more than i can wrap my mind around massacres that occur in places of worship. and what does that mean, for real? 

my dear friend and fellow peace walker Audri Scott Williams says: "We as a nation must address the deep systemic presence of racism alive and well in our society. This deep rooted racism has the potential to destroy America at its very core. We must rise to meet this paradigm shifting moment with deliberate truth and extraordinary, COURAGEOUS leadership."

  RIP (from top left) Rev. Clementa Pinckney, Sharonda Coleman-Singleton, Cynthia Hurd, Depayne Middletown Doctor, Ethel Lance,  Tywanza Sanders, Susie Jackson, Myra Thompson & Rev. Dr. Daniel Simmons, Sr.


Sunday, June 14, 2015

Wk. 24, Book 24: The BARD Series Cont.

 like my oldest and youngest sons who are born on the same day, June 14, this week's BARDS are non-biological twins. see last week's post for particulars on the size and design. what i am loving more and more about making these little pieces of art is the unpredictable outcome. like my babies in utero, i never know what they are going to look like or what kind of personality they will have or when they will be born. the BARDS in this series are averaging 3 days to make. email me at nefnfx@gmail.com to order.



Wednesday, June 10, 2015

Wk. 23, Book #23: The New BARD Series

for the 23rd week i decided to make a couple of new BARDS--book-cards. however, no sooner had i finished putting the final touches on those babies, a friend bought them both right off my work table. just like that. so i made another one, but remembered to get a pic this time. that one sold, too.
one of the things that people like about these BARDS is the convenient size--@4 1/4" x 3 3/8". people especially love the accordion fold design with the decorative covers, pop ups, beads, bits of fabric, lace, pics, fold-outs, and whatever i can affix to a page. it's super tedious, creatively compelling, fun work.


no two BARDS are ever alike, which is cool. i may begin with a color scheme or theme in mind, but the creative process always trumps my intentions. let me know if you'd like to order one or more. for now, email me at nefnfx@gmail.com.